My first novel, Five Things I Can’t Live Without, was a lighthearted look at the neurotic art of self-sabotage. The central premise was that my character, Nora, was looking for problems where there really weren’t any; she was thinking herself right out of happiness. For my second book, Love and Other Natural Disasters, I decided the main character might still have a whiff of the neurotic but I’d really give her something to worry about.
When I first sat down for the as-yet untitled Book #2, I didn’t know what Eve would find out (I didn’t actually know her name was Eve), but I knew it would happen on Thanksgiving. An affair seemed obvious (too obvious) until I realized it was an emotional affair rather than a physical one. The reason I’m using language like “find out” and “realized” is because for me, the process of writing novels is like that. There’s nothing better than that moment when your characters surprise you.
As a practicing marriage and family therapist, the issues of emotional intimacy and fidelity are close to my heart. I’m convinced that one of the toughest things in the world is remaining emotionally connected to another person for the long haul, and it’s a subject that I love exploring in my writing, in my practice, and in my life.